music art film review - REDEFINE magazine
GOAT Live Show Review (Neumo’s, Seattle)
Here is a quick summary of GOAT, and the story is meant to be taken with as many grains of salt as possible. GOAT originally hail from Korpilombo, Sweden, from a community that has a history of voodoo worship. At various times, the incarnation of GOAT has lived on for 30 or 40 years amongst members of this village, and now, the current incarnation of GOAT contains three members from Korpilombo, augmented by a few folks from Gothenburg.
All bands need good stories, and GOAT’s is one of the better ones. A quick Google search of Korpilombo and voodoo yields nothing but GOAT-related results. Combine this wonky backstory with the fact that live, the members of GOAT all wear cloaks and masks and operate in a shroud of mystery, and it is enough to be almost too much of a schtick. But what makes the tradition of GOAT work is that the band doesn’t let this aura undermine the music.
GOAT play a funky blend of Afro music combined with some psychedelic grooves that are downright heavy and funky at the same time. The entire thing is a huge spectacle, starting with the secrecy and ending with the wild outfits. The incendiary performance owes much of its power to Goat’s two wild frontwomen, who enter the stage like a couple of whirling dervishes and leave when the dust has barely started to settle. They are the eye’s focal point, but it is the instrumentation of Goat, which gets locked into the greatest of spacey jams, that really pushes the live show into the stratosphere.


music art film review - REDEFINE magazine
GOAT Live Show Review (Neumo’s, Seattle)